産地直送 The Filmmakers’ Market Is Now Open!
The Filmmakers’ Market is a new marketplace for documentaries that tears down the walls separating Japanese filmmakers and foreign viewers and allows filmmakers to bring their English-subtitled works in for direct sale, kind of like a farmer’s fresh produce market. We plan to feature not only Japanese but also other Asian documentaries. All of the DVDs are packaged by the directors and producers themselves, so some may have only Japanese on the package or in the booklet (we note as such below), but and all of them have English subtitles.
Total running time: Approx. 105 minutes. / color
Iwaishima Island, part of Kaminoseki City in Yamaguchi Prefecture. On this island in the Seto Inland Sea, the 500 residents have been living by helping each other and sharing things, since that was what was necessary to live in such a harsh natural environment.
Total running time: Approx. 130 minutes. / color
A hundred thousand non-combatants—one in four Okinawans—died in the brutal Battle of Okinawa at the end of World War II. Postwar, the U.S. military forcibly constructed military bases throughout Okinawa. Even today, 43 years since Okinawa’s reversion to Japan and 70 years since the war, 74% of all U.S. military facilities in Japan are crowded onto the Okinawan islands.
Total running time: Approx. 108 minutes.. / color
In Kaizuka City, Osaka, the family-run Kitaide butcher shop makes its living by raising and slaughtering cattle, selling the meat. From the moment of tension when the hammer drops on the forehead of the cow, cattle are transformed into meat through practiced movements. This labor, traditionally the work of the Burakumin, the outcastes of feudal Japan, is passed down to the next generation by parents, who hope their children will not encounter discrimination as they have. People live by eating the lives of others. This is a record of a family who looks into the nature of life, every single day.
Total running time: Approx. 74 minutes. / color
No one could have ever imagined the absurd fate awaiting Mirror’s Quest and the other horses of Fukushima: almost dying in the tsunami; exposed to radiation inside the 20 km exclusion zone surrounding the nuclear meltdown; left for weeks without fodder; shut away in stables for months because of government red tape.
Total running time: Approx. 109 minutes. / color
The Enei district of Minami Soma town lies within the 20 km exclusion zone around the Fukushima Daiichi Nuclear Power Plant. In early April 2011, immediately after the devastating tsunami and nuclear meltdown forced people to evacuate the area, filmmaker Yoju Matsubayashi rushed here with relief goods. From a chance meeting with city councilor Kyoko Tanaka, he began making this film. Living together with the evacuees in school classrooms designated as temporary refuge centers, he captured an extraordinary period in the lives of the local people. Interspersed with humorous episodes and deep emotions, the film delves into memories of a local culture that has been taken away by the tragedy.
Total running time: Approx. 106 minutes. / color
Inspired by the documentaries of the great Shohei Imamura, under whom the filmmaker studied, this film explores the lives of Japanese soldiers who chose not to return to Japan when the war finished, but who stayed behind in Southeast Asia to build new lives for themselves.
Total running time: Approx. 59 minutes. / color
Being the last geisha in Yoshiwara, the only licensed pleasure quarter in megalopolis Edo, which became present-day Tokyo, means she stood at the end of a 400-year-old lineage of women entertainers. From childhood she trained daily in the traditional arts of music and dance, and though she had to sacrifice the kind of domestic bliss most Japanese girls longed for, she built an incredibly full, fiercely independent career before, during and after WWII, “all for the best.” The Madame is sharp—sharper than most of the men she performs in front of—and we’re lucky to have her and the age she outlived together on film. by Robert Campbell, Professor of Japanese Literature, University of Tokyo
Total running time: Approx. 77 min. / color
“Through my story, I hope viewers will come to feel closer to a world without war and nuclear weapons. Please ponder that possibility as you watch this film.”—Keiji Nakazawa
With the passing of Nakazawa Keiji in December 2012, Barefoot Gen’s Hiroshima now stands as the manga artist’s last message of peace to the world. Mr. Nakazawa recounts his life, from the aftermath of the atomic bombing up until the days he created his acclaimed manga series Barefoot Gen (Hadashi no Gen), by exploring sites of painful memories in Hiroshima. Through Mr. Nakazawa’s story, and his original art work, Barefoot Gen’s Hiroshima illuminates the nature of war and nuclear weapons, urging us not to repeat the past.
Total running time: Approx. 116 minitues. / color
For 28 years, the people of Iwaishima Island, living in the middle of the beautiful Inland Sea, have been opposing a plan to build a nuclear power plant. The island has a 1000-year history during which people have preserved their traditional festival. Takashi, the youngest on the island, is struggling to earn his living. He dreams of a life based on sustainable energy. Meanwhile, communities in Sweden are making an effort to implement such lives. The people living in the Arctic circle have taken action to overcome damage from the global economy. On Iwaishima, Mr. Ujimoto has begun sustainable agriculture by reclaiming abandoned farmlands. But a power company tries to fill in a bay to create man-made land. The people of the island set sail together to stop the construction of the nuclear power plant. A fight breaks out on the sea.
Total running time: Approx. 87 minutes. / color
The burden of Agent Orange, across generations and across the world—and the courage to face and bear the consequences.